The face of Brannok emerges framed by an ornamental structure with a ceremonial character. The walrus—one of the twenty thousand cared for by King Laras on his hidden island—is depicted with a balance of solemnity and intimacy, like a dignified portrait within a broader symbolic system. The bluish patina and delicate engravings enhance the sense of a relic, as if the piece belonged to a sanctuary devoted to these creatures.

Sculpture modeled in fine grog refractory clay and reproduced in resin on a wood base wuith epoxy putty with assembled repurposed objects. Painted with shellac, acrylics, chalk paint, wax, and varnish.

26 x 31 x 09 cm | 11 x 13 x 4 in